Why, hello there! If this interests you, I'm eighteen, female, Malaysian, will mostly reblog Hetalia, Sherlock, Kuroko no Basuke, Magi, cats, food and maybe some of my art, maybe. Come over here, I don't bite, I hug :3
being homosexual or bisexual isn’t disgusting. but you know what is disgusting? when a man finds it ok for two girls to be making out or something of the sort just because it makes his dick hard, but when its two girls or, god forbid, two men that are in an actual, well-founded relationship and in love, the man finds that disturbing and immoral and wrong. now thats disgusting.
Benten is the Japanese goddess of love, beauty, eloquence, wisdom, arts and music, knowledge, good fortune, and water. She is the protectress of children and the patroness of geishas, dancers, and musicians. Originally she was a sea goddess or water goddess, on whose image many local deities near lakes were based.
dada /ˈdɑːdɑː/ or Dadaism was an art movement of the European avant-garde in the early 20th century. Many claim Dada began in Zurich, Switzerland in 1916, spreading to Berlin shortly thereafter but the height of New York Dada was the year before, in 1915. To quote Dona Budd's The Language of Art Knowledge,
Dada was born out of negative reaction to the horrors of World War I. This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zurich. Dada rejected reason and logic, prizing nonsense, irrationality and intuition. The origin of the name Dada is unclear; some believe that it is a nonsensical word. Others maintain that it originates from the Romanian artists Tristan Tzara's and Marcel Janco's frequent use of the words "da, da," meaning "yes, yes" in the Romanian language. Another theory says that the name "Dada" came during a meeting of the group when a paper knife stuck into a French-German dictionary happened to point to 'dada', a French word for 'hobbyhorse'.
The movement primarily involved visual arts, literature, poetry, art manifestoes, art theory, theatre, and graphic design, and concentrated its anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. In addition to being anti-war, Dada was also anti-bourgeois and had political affinities with the radical left.